Bio
Tempests
As a child growing up in Baltimore, I would sit with my father on the front
porch and watch storms etch their way across the Maryland sky. We
experienced scenes of impending danger from Mother Nature without having
to travel great distances.
The vigorous movement of cloud and precipitation, whether from the aerial
view or from a distance, offers compelling drama. There is dynamic
movement in the churning motion of rain, wind and debris from a storm. Pure
energy from violent weather can be exhilaratingly beautiful and at the same
time horrifically destructive, which allows me to expand my palette and value
range to match the intensity of the weather.
When I moved to Oklahoma in 1977, I was introduced to the majestic and yet
devasting power of tornadoes. The sheer scale of tornadoes forced me to see
how small humans are in comparison to the epic size of a twister. While
residing in Houston, I have personally survived numerous violent hurricanes,
which has given me more first-hand experiences of the power of mother
nature.
In 1999, when I was going through a divorce, I started painting violent weather.
I began to examine how storms can serve as a metaphor for difficult
relationships. Like romance, storms can be beautiful and intriguing while
also being dangerous and destructive. When I paint weather patterns from
above looking down as in a Doppler schematic, the image becomes more
abstract and objective. If I paint them far in the distance, as a looming
presence, the work becomes more expressive implying emerging danger.
If I push the elements of the composition closer to the picture plane with swirling
bits of color and mark making, the image becomes a representation of the
force of destruction which wreaks havoc on life, limb and property.
Over the past 25 years painting storms has inspired me to explore the intrinsic
nature of luminosity and opacity which can be found in different media.
Finding the right medium in my practice, to express the fluid characteristics of
a specific storm and the objects impacted by them, motivates me.

2006 watercolor on paper 4 by 5 inches

2006 watercolor on paper 4 by 5 inches Private Collection

2008 oil and resin on canvas 14 x 14 inches Private Collection

2003 acrylic and sand on wood 12 by 12 inches

2009 charcoal and acrylic on hard board 16 by 20 inches Private Collection

2023 acrylic on Yupo paper 23 by 15 inches

2013 oil on wood 12 by12 inches Private Collection

2013 oil on wood panel 12 by 12 inches Private Collection

2013 oil on wood 12 x 12 inches

2012 ink on acetate 17 by 14 inches

2014 monotype 27 by 32.5 inches

2011 monotype with overdrawing 25.5 by 18 inches